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Four decades after Virginia Woolf sent shock waves through the mainstream theatre, Mr. Albee still asks questions that no other major American dramatist dares to ask. Ben Brantley, The New York Times
Three-time Pulitzer Prize-winner Edward Albees most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf, The Goat won all the major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters. The playwright himself describes it this way: Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid.
